Every week we present one haiga by a Croatian author/authors. You are welcome to send three of your unpublished photo-haiga, size 2000 pixels on the longer side of your photograph to the Editor: firstname.lastname@example.org
On your haiga please note the name of the author/authors. Please write the Haiku in Croatian and in your e-mail message you may give the Editor its version in English. Also, in several sentences please let us know how this particular haiga was created.
A photo-haiga consists of two art forms, haiku and a photograph. It is important for your haiku not to describe the photograph, nor should it create any misunderstanding. Haiku and the photograph should complement each other and depict an atmosphere of sincerity, buoyancy and depth, creating a piece of art which is more valuable than each separate expression. You need to explore reality and move away from the expected poetical clichés. Be original.
In the spirit of sume-e painting, let your haiku and photography be free of any redundancy. Empty space is important. Explore and take several photographs of the item of your interest until you achieve something especially good. Let your choice of photograph speak of poetry. Take care about choosing the font with which you will write the haiku concerning your photograph. Try several different fonts until you have no obtrusive connection of the letters (shape, colour and size) with the photograph and mood of your art work.
In your haiku do not be a slave to the form of 5-7-5 syllables at the expense of the literary quality of the poem, avoid adjectives. Remember, kigo impersonates the transience of everything and denotes constant changes of everything alive. Only one kigo is allowed in your haiku. Be short and clear, use simple words understandable to each average educated reader. Unfamiliar words may be wrongly interpreted and draw the attention away from such a short poem. While your reader looks up a word in a dictionary, your haiku has lost his/her attention. Remember, haiku is complementary with our rushed, everyday lives. It is clear and short and may be read on sight. It of course hides a story to be thought about.
Try to connect your poem with the photograph in the best possible way. Create several haiga and edit them until you attain the best results. Take care about the main postulates in fine arts. Lay aside your haiga for some time and then return to them several days later. It will be easier to pick the best work. Or, you will create an even better one in a new attempt.